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Number nine in our series of Essential Poets, this newly selected, essential collection of Tom Marshall’s poetry, co-edited by his friends David Helwig and Michael Ondaatje, pushes Marshall to his rightful place in the Canadian canon. Tom Marshall lived in Kingston for most of his adult life. During his short lifetime he made a substantial contribution to Canadian literature and culture, with ten published collections of poetry, four of critical essays and seven of fiction. In this selected volume the reader will find verse from his early years, daring and inventive, imbuing the familiar Kingston landscape with an electric intensity. One of his earliest poems, ‘Astrology’, suggests Mar...
Project Oberon contains a definition of the Oberon Language and describes its relation to Modula-2 and the software tools developed with the system. This definitive, first-hand account of the design, development, and implementation of Oberon completes the Oberon trilogy.
This collection of essays explores the literature of Italian immigrants in Canada and their children by focusing on the central role that themes of migration hold in their work. Addressing topics such as the oral roots of Canadian immigrant writing, the changing place of women in works of the Italian diaspora, and the persistent difficulties of translation, this work provides an international perspective on some of the most pressing questions in the study of literature today. In addition to Canadian works, the work of immigrant writers from Australia and other countries is also considered, producing nuanced observations of cultural differences and affinities.
Despite an impressive post-secondary education and a body of work that spans more than twenty books and seven decades, Elizabeth Brewster’s quiet humility in the face of ‘all that tradition’ of the Western literary canon belies her contribution to Canada’s cultural history. Perhaps fittingly, her poems demonstrate a sense of isolation, a quest for selfhood, a desire to understand and to be understood. Often conversational in tone, her poems are direct and characterized by a deliberate economy of language and freedom from the restrictions of traditional form. Editor Ingrid Ruthig examines the aesthetic touchstones, stylistic shifts and thematic range in the poetry of a woman ‘whose work is included in critical anthologies while her name is missing from their introductions.’ The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible and affordable. The Essential Elizabeth Brewster is the twenty-second volume in the increasingly popular series.
Published between 1975 and 2000 and completed shortly before his death, Hugh Hood's twelve-volume novel-series The New Age/Le nouveau siècle represents a major achievement in Canadian fiction. Hood takes us on a remarkable, though challenging, journey in time and space while chronicling the life of his intellectually inquisitive protagonist, Matt Goderich. Moving from history and politics to literature and the arts, from popular song to the vagaries of fashion, from urban stress to the relaxations of cottage-country, these novels explore the texture of Canadian life with a depth and comprehensiveness that, when fully grasped, are dazzling. In Canadian Odyssey W.J. Keith steers general readers and specialist students alike through the complexities of Hood's scheme. He presents biographical information about the planning and writing of the series, places it among other examples of "Roman-Fleuve," offers background concerning Hood's literary influences, and provides novel-by-novel discussions of each book. Written in a straightforward style, avoiding jargon and the excesses of literary theory, Canadian Odyssey makes a convincing case for The New Age as a great Canadian masterpiece.
This study of the Canadian writer David Adams Richards features an interview with the author and an opening essay that situates Richards in the current Canadian fiction landscape. Included are essays by Wayne Curtis, Margo Wheaton, Fred Cogswell, Lawrence Mathews, Inge Sterrer-Hauzenberger, Pamela Jo Boggs, and Wayne Johnson. While Richards is best known for his novels, these pieces also explore his essays and short fiction.
Contains entries for each author with a biography, a list of separately published books, and an essay.
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Ann Copeland has lived a mountain of yesterdays as a teacher, fiction writer, vowed religious, wife, and mother. Throughout her rich and varied life, there has been one constant: Copeland’s dedication to amateur music-making in its many forms — composing, playing, arranging, partnering, studying, and improvising — and in its many possible settings—alone or with others; in chapels, living rooms, and schools; in locations foreign and domestic, intimate and exposed; in mental states anxious, playful, and grieving. This collection of spirited and engaging essays tells the story of a lifelong student and devotee of music who, looking back, sees that “years of making music offered release, challenge, solace, collaboration, glimpses of possibility, a perishable entrance into felt mystery, and the chance to create a gift with and for others.” With this book, Copeland is sharing that gift through the story of her life making music.